An open-weave crochet beanie in natural cream, fitted to the crown then dropping into long braided fringe. Each strand is finished with scattered beads, so the piece moves and catches light with you.Built to be seen.
Hand-feel crochet knit in cream
Long braided fringe with beaded ends
Soft, structured crown fit
One of one energy for shoots and nights out
A green ripstop hiking backpack with a hooded top flap, drawcord closure and a clean front buckle. Red pull tabs and webbing run against the green for contrast, with side compression straps and bottom loops for strapping down extra kit.Built tall for the road, the studio and the trip you packed for in a hurry.
Lightweight green ripstop body
Top flap with drawcord and front buckle
Red pulls, side compression straps, base loops
The Raye in olive-brown suede. A clean rectangular shoulder bag with a soft, matte hand and a slim adjustable strap that drops to the underarm. Zip top, hanging pull tab, nothing loud about it.Sits between everyday and going out. The kind of piece that carries the rest of the fit without asking for attention.
The Twin Buck Bag in washed black denim, built low and slung for the shoulder. A single top zip, front zip pocket with studded trim, and corner hardware with hanging tassel pulls. Dark gunmetal fittings throughout, no loud branding.A bag that reads quietly and works every day — studio, Friday night, travel. As seen on picture.
A tote and a backpack in one. Black throughout, built from a smooth technical fabric with twin top handles for the carry-by-hand days and thick rope drawcord straps that pull it onto your back when your hands are full.Open top with a gathered drawstring edge and a roomy front patch pocket. One bag, two ways to wear it, no logo doing the talking.
Olive nylon backpack built around the daisy. A quilted floral flap sits over the drawstring opening, with two padded daisy charms hanging off the front to break the military green wide open. Clean smile-face motif throughout — soft on a hard colour.Built for the day: padded shoulder straps, top grab handle, full-zip front pocket, side mesh bottle pockets, and a silver clip-ring for keys. The piece you reach for on a shoot day and still rate next year.
A black hooded overshirt that reads quiet but moves different. Full button placket, drawstring hood, and a single chest pocket on a relaxed, slightly boxy cut with an elasticated hem. The shirt-jacket hybrid you reach for when you want to look like yourself.
Colour: black
Button-front placket, drawstring hood
Chest pocket, elasticated hem, ribbed cuffs
Relaxed fit
The Eesha is a silver bead neckpiece built on a twisted cluster of fine chain and beads, finished with a chunky link strand and adjustable chain closure. Charms hang off the front — moons, stars, a heart, a four-point cross — so it moves and catches light as you do.Worn close to the throat for party nights or layered into an everyday fit. Silver throughout. One piece that carries a whole look.
The Hans Plain Pant in black. A straight, loose wide-leg trouser in a clean polyester blend, cut relaxed through the hip and leg with pleated fronts and a tailored waistband. Slant side pockets, belt loops, and a sharp centre crease that holds its line.Reads formal when you want it, streetwear when you don't. Pairs with a plain tee or a heavier top for the studio or a Friday night out.
A double-strand pearl neckpiece that doesn't take itself too seriously. Two rows of cream pearls sit layered together, hung with mixed charms — a Labubu figure, a small bear, a crystal-set heart, faceted glass beads and a stone accent. Lobster-clasp closure with extender chain for length.Pearls done the CRUX way: pretty base, playful payoff. Wear it solo or stacked.
Faceted black beads strung on silver-tone links, broken up with red star charms and white pearl drops. The centre is a white kitty figure with a red bow and fan detail — the piece people notice before they notice anything else you're wearing.
Black faceted beads, silver-tone hardware
Red star and white pearl charms spaced around the strand
Kitty figure pendant, red and white
Lobster clasp with extender chain
Sits close to the neck
A burgundy leather flat cap with a short stitched brim and a soft panelled crown. Scattered across it: claw-set jewel studs in red, green and black. Old-money shape, read differently.
Burgundy leather with visible grain
Red, green and black faceted stone studs in silver-tone settings
Panelled crown, topstitched seams, short attached brim
Sits low and holds its shape. Works over a fade, works on a Friday night.
Washed blue denim cap built on a six-panel crown with contrast tan stitching and heavy distressing across the brim and front. A black leather belt strap runs the length of the panel, finished with an engraved western-style buckle and ornate metal tip.The frayed edges and worn-in fade do the talking. Curved brim, adjustable back strap. The piece you reach for when a plain cap won't say enough.
Two layers of faceted black beads with a stainless steel cross sitting front and centre. The inner strand runs tight to the neck while the outer drops longer, so you get depth without reaching for a second piece. All black, dark hardware, no shine fighting for attention.
Black beads and stainless steel
Inner layer: 17 inches
Outer layer: 23 inches
Layered cross neckpiece
A six-panel cap in dark grey herringbone denim, shredded across the crown and brim so red thread pulls through the distressing. Red and black stones sit scattered over the panels, with a dense red crystal band running the full seam above the peak.
Dark grey denim, red and black stone detail
Distressed panels with exposed red threading
Curved brim, structured front
Built for nights out, not quiet ones
A six-panel cap built on a dense black studded weave, cut across with a deep burgundy leather band that wraps the crown and brim. Silver cross hardware and round conchos sit scattered across the panels, catching light from every angle.Heavy on detail, structured in the crown, with a curved brim. The piece you reach for when the fit needs one thing that does all the talking.
Soft fur ear muffs in teal, with a paler mint band over the top. Warm where it counts, made to be seen. The cord-and-metal buckle detail on the cup keeps it from reading too soft.A cold-weather piece for people who travel and still want to look like themselves. Mint blue sits right in CRUX's five.
Black shearling ear muffs built warm and soft, with a slim padded headband that sits clean. The fur cups carry silver hardware — a cross piece front and centre, with smaller studs scattered across the pile. Cold-weather function, but the detailing is the point.For the days you're outside and still want to look like yourself. Travel-ready, studio-ready, everyday wear when the temperature drops.
A burgundy leather baker boy cap with a full, panelled crown and a short stiff brim. Silver studs sit across the panels and brim — crosses, stars, fleur-de-lis, lightning — with a buckled strap running above the peak.
Leather upper in deep burgundy
Silver-tone stud hardware, mixed motifs
Buckle strap detail at the front band
Rounded eight-panel crown, short brim
A flat-top military-style cap cut in a leopard print with a fine lace overlay texture, worked in brown and black tones. Structured crown, banded base, short stiff brim — the shape does the talking.
Flat-top cadet silhouette with short curved brim
Leopard print with lace-texture overlay
Brown and black colourway
A mint green beaded strand loaded with charms — an oversized silver bow at the front holding a kitty figure, a pink bow bead on the side, pearl and silver rounds, pink crystals, question-mark letter beads and a crystal heart drop. Lobster clasp closure.
Mint green beads with silver, pink and pearl detail
Silver ribbon bow with kitty charm
Crystal heart charm on the strand
Lobster clasp